Legacy vs. Reality

Bill Robinson was one of the most popular African American tap dancers of the twentieth century. In 1928, he danced in Lew Leslie’s “Blackbirds” which was a performance for white audiences. Robinson continued to perform for white audiences throughout the entirety of his career, including fourteen motion pictures. He generally played the stereotypical role of a butler or someone subservient to a white person. This was especially exemplified in his role opposite Shirley Temple. The film “Little Colonel” illustrates his relationship with the young Shirley Temple who is essentially his boss, and showcases his backwards stair dance. His personification on stage invited white audiences from around the country to marvel at his fabulous tapping talent.

Bill Robinson & Shirley Temple

Although he played the racially stereotypical role of elder black helper who was constantly joyful, he was just the opposite in reality. He had a very quick temper and quite a malicious demeanor.  For example, when his friends were refused coffee and doughnuts at a cafe restaurant, he presented his revolver gun on the table and demanded to be served (Haskins). Although he did have moments of frustration with racial inequality, he often attempted to network with the white people of authority in his town. For example in Harlem, he connected with the local police and after several years, became one of largest contributors to the welfare police fund. His goal was to be regarded as someone they would refer to as their friend, disregarding the color of his skin. It was in his nature to want to fight back against these discriminatory inquiries and felt confident in doing so. He regarded himself as a strong, deserving person who utilized his performing power to be a leader in the transition to equality.