{"id":779,"date":"2019-12-10T08:00:52","date_gmt":"2019-12-10T16:00:52","guid":{"rendered":"https:\/\/blogs.scu.edu\/arthursattic\/?p=779"},"modified":"2026-04-21T10:48:41","modified_gmt":"2026-04-21T17:48:41","slug":"what-is-a-book-anyway","status":"publish","type":"post","link":"https:\/\/blogs.scu.edu\/arthursattic\/2019\/12\/10\/what-is-a-book-anyway\/","title":{"rendered":"What is a book, anyway?"},"content":{"rendered":"\n<p>Everyone knows what a book is. They\u2019re normally bound chunks of white pages filled with black text. Text size can vary, as can the number of pages or the size of the book. They can be academic or for pleasure or somewhere in between, and we\u2019ve all picked one up sometime or another (by choice or by the forced hand of academia).<\/p>\n\n\n\n<p>But what if I told you this is a book?<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"298\" src=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-300x298.jpg\" alt=\"A hexagon shaped book with stars and constellations printed on it. The book opens and folds in different directions.\" class=\"wp-image-3247\" srcset=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-300x298.jpg 300w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-1024x1017.jpg 1024w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-150x150.jpg 150w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-768x762.jpg 768w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-1536x1525.jpg 1536w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-2048x2033.jpg 2048w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/celestial-navigation-1-1840x1827.jpg 1840w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\"><em><a aria-label=\"Celestial Navigation (opens in a new tab)\" href=\"https:\/\/sculib.scu.edu\/record=b2970410\" target=\"_blank\" rel=\"noreferrer noopener\">Celestial Navigation<\/a><\/em>, Karen Hanmer <\/figcaption><\/figure>\n<\/div>\n\n\n<p>Or this?<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"245\" height=\"300\" src=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/cryptic-magic-245x300.jpeg\" alt=\"A spiral book with crinkled edges and symbols cut out of the pages.\" class=\"wp-image-3250\" srcset=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/cryptic-magic-245x300.jpeg 245w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/cryptic-magic-838x1024.jpeg 838w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/cryptic-magic-768x939.jpeg 768w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/cryptic-magic-1257x1536.jpeg 1257w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/cryptic-magic-1675x2048.jpeg 1675w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/cryptic-magic-1840x2249.jpeg 1840w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><figcaption class=\"wp-element-caption\"><em><a aria-label=\"Cryptic Magic (opens in a new tab)\" href=\"https:\/\/sculib.scu.edu\/record=b3047339\" target=\"_blank\" rel=\"noreferrer noopener\">Cryptic Magic<\/a>, <\/em>Islam Aly <\/figcaption><\/figure>\n<\/div>\n\n\n<p>Artists&#8217; books: works of art that utilize the form of a book; artists&#8217; books: books that utilize the imagination of artwork. I say that loosely&#8211; these pieces of art challenge the very definition of <em>book<\/em>. They\u2019re often made in a limited edition, or are one-of-a-kind and totally unique in the world.<\/p>\n\n\n\n<p>The history of artists&#8217; books stems all the way back to the late 1700s with William Blake. Most famously, Blake took the publication of <em>Songs of Innocence and Experience <\/em>entirely into his own hands: along with his wife Catherine, he wrote, illustrated, colored, printed, and bound everything in the book. The artwork was included by means of relief etching, a process of drawing and writing on copper plates, then etching the plates in acid to leave the design remaining. The artwork often intermingled with the text, providing deeper meaning to his poems, as shown here:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"205\" height=\"300\" src=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Ancient-Bard-205x300.jpeg\" alt=\"A man playing a harp with people surrounding him. The poem above the illustration is called: The Voice of the Ancient Bard.\" class=\"wp-image-3277\" srcset=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Ancient-Bard-205x300.jpeg 205w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Ancient-Bard-701x1024.jpeg 701w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Ancient-Bard-768x1122.jpeg 768w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Ancient-Bard-1051x1536.jpeg 1051w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Ancient-Bard-1401x2048.jpeg 1401w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Ancient-Bard.jpeg 1666w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><figcaption class=\"wp-element-caption\">&#8220;The Voice of the Ancient Bard,&#8221; <em><a href=\"https:\/\/libcat.scu.edu\/Record\/b2551573\">Songs\u00a0of\u00a0Innocence<\/a><\/em>, William Blake<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Blake\u2019s key processes of self-publication and coupling art with text is exactly what artists do today with artist\u2019s books, except the book doesn&#8217;t simply contain the art&#8211;the book <em>is<\/em> the art. Book artists have pushed the limits since Blake\u2019s time and take their lead from another poet, the 19th century Frenchman St\u00e9phane Mallarm\u00e9, who envisioned the ideal form and structure of the book before writing any text, and who used white space as composition for multi-layered meaning. Today the artists&#8217; book has strayed further from what we would recognize and classify as the traditional bound codex whose physical form is a text block sewn into a case; they come in all shapes, sizes, and conceptions.<\/p>\n\n\n\n<p>The one below is in recognizable book form, but challenges conventional information organization by utilizing the names of the parts of the book as the text the book contains. The self-aware &#8220;Appendix&#8221; page breaks down the custom of the appendix and comments on its form simultaneously. The text says &#8220;the appendix should not be a repository \/ for odds and ends of the author&#8217;s research \/ that he\/she was unable to work into the text.&#8221;<\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-ad2f72ca wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"929\" src=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs1-1024x929.jpeg\" alt=\"An open book with pages of different sizes titled: Half Title\/ Interminable.\" class=\"wp-image-3254\" srcset=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs1-1024x929.jpeg 1024w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs1-300x272.jpeg 300w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs1-768x697.jpeg 768w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs1-1536x1394.jpeg 1536w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs1-2048x1858.jpeg 2048w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs1-1840x1670.jpeg 1840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em><a aria-label=\"Interminable Gabberjabbs (opens in a new tab)\" href=\"https:\/\/sculib.scu.edu\/record=b3324063\" target=\"_blank\" rel=\"noreferrer noopener\">Interminable Gabberjabbs<\/a>, <\/em>Walter Hamady <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"655\" src=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs2-1024x655.jpeg\" alt=\"An open book with pages of varying sizes and a map. There is a good seal with text: Colophon, there are just exactly 0 copies all numbered &amp; initialled with Ivan's earmarking tattoo outfit.\" class=\"wp-image-3255\" srcset=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs2-1024x655.jpeg 1024w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs2-300x192.jpeg 300w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs2-768x491.jpeg 768w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs2-1536x983.jpeg 1536w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs2-2048x1310.jpeg 2048w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Interminable-gabberjabbs2-1840x1177.jpeg 1840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<p>For me, artist\u2019s books make me stop and reconsider everything that I had previously accepted about books. Who\u2019s to say having a book within a shell is wrong?<br><\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-ad2f72ca wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"244\" height=\"300\" src=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Nautilus1-244x300.jpeg\" alt=\"A blue scroll with text in a spiral, coming out of a shell.\" class=\"wp-image-3260\" srcset=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Nautilus1-244x300.jpeg 244w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Nautilus1-834x1024.jpeg 834w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Nautilus1-768x943.jpeg 768w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Nautilus1-1251x1536.jpeg 1251w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Nautilus1-1668x2048.jpeg 1668w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/Nautilus1-1840x2260.jpeg 1840w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><figcaption class=\"wp-element-caption\"><em><a aria-label=\"Nautilus #10 (opens in a new tab)\" href=\"https:\/\/sculib.scu.edu\/record=b3324375\" target=\"_blank\" rel=\"noreferrer noopener\">Nautilus #10<\/a><\/em>, Lisa Rappoport <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"255\" src=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/nautilus2-300x255.jpeg\" alt=\"A blue scroll with text in a spiral, coming out of a shell.\" class=\"wp-image-3261\" srcset=\"https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/nautilus2-300x255.jpeg 300w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/nautilus2-1024x869.jpeg 1024w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/nautilus2-768x652.jpeg 768w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/nautilus2-1536x1304.jpeg 1536w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/nautilus2-2048x1739.jpeg 2048w, https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/nautilus2-1840x1562.jpeg 1840w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n\n<p>By breaking from the norm, artists ask viewers to reconsider why these norms exist at all, and they manage to further add meaning to a bibliographic work by imbuing a layer of emotion to the text through its form. Of course, I don\u2019t necessarily see myself turning to an artist\u2019s book the next time I\u2019m tasked with a lengthy research paper about a historical event. But that\u2019s not their purpose; to me, because they convey their message (in an albeit nontraditional way), they\u2019ve still succeeded in making meaning of the human experience.<\/p>\n\n\n\n<p>If I&#8217;ve piqued your interest, you can browse Santa Clara&#8217;s artists&#8217; books in the library&#8217;s catalog under the subject heading <a rel=\"noreferrer noopener\" aria-label=\"Artists' books -- Specimens (opens in a new tab)\" href=\"https:\/\/sculib.scu.edu\/search?\/dArtists%27+books+--+Specimens.\/dartists+books+specimens\/-3,-1,0,E\/2browse\" target=\"_blank\">Artists&#8217; books &#8212; Specimens<\/a>. Or, you can stop by to browse in person.<\/p>\n\n\n\n<p>Header image: my favorite artist\u2019s book in our collection, <em>Evolve = Unroll <\/em>by Sara Press. Yes, that\u2019s a snake egg made with the scroll of text inside. It\u2019s fascinating.<\/p>\n\n\n\n<p>Photographs added April 2026 by Charlotte McManus.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Everyone knows what a book is. They\u2019re normally bound chunks of white pages filled with black text. Text size can vary, as can the number of pages or the size of the book. They can be academic or for pleasure or somewhere in between, and we\u2019ve all picked one up sometime or another (by choice [&hellip;]<\/p>\n","protected":false},"author":2575,"featured_media":780,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"qubely_global_settings":"","qubely_interactions":"","kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[15],"tags":[111,114,113,116,117,115,112],"class_list":["post-779","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bibliophiles-corner","tag-artists-books","tag-islam-aly","tag-karen-hanmer","tag-lisa-rappoport","tag-sara-press","tag-walter-hamady","tag-william-blake","with-image","with-title"],"gutentor_comment":0,"qubely_featured_image_url":{"full":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",900,900,false],"landscape":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",750,750,false],"portraits":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",320,320,false],"thumbnail":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746-150x150.jpg",150,150,true],"medium":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746-300x300.jpg",300,300,true],"medium_large":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746-768x768.jpg",768,768,true],"large":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",900,900,false],"1536x1536":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",900,900,false],"2048x2048":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",900,900,false],"qubely_landscape":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",750,750,false],"qubely_portrait":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",320,320,false],"qubely_thumbnail":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",100,100,false],"single":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",900,900,false],"post-thumbnail":["https:\/\/blogs.scu.edu\/arthursattic\/files\/2019\/12\/IMG_2746.jpg",900,900,false]},"qubely_author":{"display_name":"Mia Hope","author_link":"https:\/\/blogs.scu.edu\/arthursattic\/author\/mhope\/"},"qubely_comment":0,"qubely_category":"<a href=\"https:\/\/blogs.scu.edu\/arthursattic\/category\/bibliophiles-corner\/\" rel=\"category tag\">Bibliophile's Corner<\/a>","qubely_excerpt":"Everyone knows what a book is. They\u2019re normally bound chunks of white pages filled with black text. Text size can vary, as can the number of pages or the size of the book. They can be academic or for pleasure or somewhere in between, and we\u2019ve all picked one up sometime or another (by choice&hellip;","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/posts\/779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/users\/2575"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/comments?post=779"}],"version-history":[{"count":26,"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/posts\/779\/revisions"}],"predecessor-version":[{"id":3280,"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/posts\/779\/revisions\/3280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/media\/780"}],"wp:attachment":[{"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/media?parent=779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/categories?post=779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.scu.edu\/arthursattic\/wp-json\/wp\/v2\/tags?post=779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}